Creative Space with Jennifer Logue

Screenwriter Brian Clark On Collaboration Without Ego and What it Takes to Get a Script Made Today

November 20, 2022 Jennifer Logue
Creative Space with Jennifer Logue
Screenwriter Brian Clark On Collaboration Without Ego and What it Takes to Get a Script Made Today
Show Notes Chapter Markers

On today’s episode of Creative Space, we have the pleasure of speaking with screenwriter Brian Clark. He has quite the inspiring creative journey so far, getting his start as a publicist in New York City for films like Rachel Getting Married, Coco Before Chanel, and the Runaways. He then moved to Paris where he worked as a film correspondent for websites like Movieline. Today he resides in LA where he co-founded the film series Projections and is busy as a screenwriter. His latest film, Vesper, which he co-wrote with Bruno Samper and Kristina Buozyte, was just released on September 30 through IFC films. 

We talk about his career beginnings and the importance of building healthy collaborative relationships, as well as debunk a myth or two about what it really takes to get a script made. 


For more on Vesper, visit: vespermovie.com.

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SHOW NOTES:

00:00—Introduction

01:44—What drew Brian to screenwriting

03:26—The allure of movies he wasn’t allowed to see

04:28—Play is the best case scenario of what creativity can be

05:06—Why horror films inspired him in his early days

08:30—Working as a film publicist in NYC

11:08—Why writing movie reviews was second nature

13:26—Following his future wife to Paris

15:45—How life in Paris shaped his perspective

17:30—Learning contentment

18:30—Brian’s definition of creativity

20:30—Why it’s now in the “bin of meaningless words”

22:42—The discipline of creativity

23:00—What is it actually like being a screenwriter?

25:10—The myth of spec scripts

26:00—Tips for getting a movie made now

27:20—Choosing which idea to pursue

30:20—Why ideas are overrated

31:40—Working with his collaborators on Vesper

35:14—How he met Bruno and Kristina

36:46—What inspired Vesper

42:00—Writing the script for Vesper

43:30—Collaboration without ego

45:00—Dialogue tips

46:00—Knowing what will work on screen

46:44—What Brian wishes he knew 10 years ago

48:15—What’s next 



Introduction
What drew Brian to screenwriting
The allure of movies he wasn't allowed to see
Play is the best case scenario of what creativity can be
Why horror films inspired him in his early days
Working as a film publicist in NYC
Following his future wife to Paris
How life in Paris shaped his perspective
Learning contentment
Brian’s definition of creativity
Why it’s now in the “bin of meaningless words”
The discipline of creativity
What is it actually like being a screenwriter?
The myth of spec scripts
Tips for getting a movie made now
Choosing which idea to pursue
Why ideas are overrated
Working with his collaborators on “Vesper”
How he met Bruno and Kristina
What inspired “Vesper”
Writing the script for “Vesper”
Collaboration without ego
Dialogue tips
Knowing what will work on screen
What Brian wishes he knew 10 years ago
What’s next